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Parodies and Covers

LA LISTE · SOUNDTRACK ©ROSE \ LA LISTE · SOUNDTRACK [FRANCE · PARODY · COPYRIGHT] A2LAN LESAGE
LA LISTE · SOUNDTRACK β„—A2LAN LESAGE

SMELLS LIKE TEEN SPIRIT · SOUNDTRACK ©NIRVANA (KURT COBAIN & KRIST NOVOSELIC & DAVE GROHL)
SMELLS LIKE TEEN SPIRIT · SOUNDTRACK β„—A2LAN LESAGE
SMELLS LIKE TEEN SPIRIT · MOTION PICTURE ©SANDRA & A2LAN LESAGE

SWEET DREAMS · SOUNDTRACK ©EURYTHMICS (ANNIE LENNOX & DAVID ALLAN STEWART)
SWEET DREAMS · SOUNDTRACK β„—A2LAN LESAGE

J'AI DEUX AMIS · SOUNDTRACK β„—A2LAN LESAGE

JUST THE TWO OF US, RAW · SOUNDTRACK ©BILL WITHERS & WILLIAM SALTER & RALPH MACDONALD
JUST THE TWO OF US, RAW · SOUNDTRACK β„—A2LAN LESAGE

JUST THE TWO OF US · SOUNDTRACK β„—A2LAN LESAGE

CHELA · SOUNDTRACK ©BUSTA FLEX \ JE RESTE CALME ©A2LAN LESAGE
CHELA · SOUNDTRACK β„—BUSTA FLEX \ JE RESTE CALME β„—A2LAN LESAGE

INSTRU RAP LOURD · SOUNDTRACK ©THESABERFULL \ LA VOLONTE DE MAITRISER ©A2LAN LESAGE
INSTRU RAP LOURD · SOUNDTRACK β„—THESABERFULL \ LA VOLONTE DE MAITRISER · SOUNDTRACK β„—A2LAN LESAGE

β€‹Æ DESTINED DENIER

æ Dear denier

Æ Fell in love

æ Hence, reel fell

Æ Thence, loved her design

æ Her soulmate sole designed

Æ Whether her belief belongs

æ Hellking* remained

Æ To eke eft erst

æ To lengthen against thou first​

Æ Thence next night light out enow later up til

æ There’s one erst starlight soe'er later up

Æ Her none-own heard heartbeat

æ Heart which ben’t hers yet hers despite, please

Æ Between twice, ended

æ Then ended end ended​​

Æ WANDERER & WONDERER

æ Thou shall wonder, pet

Æ All mended fight

æ “Ended” not spelled whether it be on love’s behalf

Æ Thereby her meant defied

æ Ever haunted be plenty defied

Æ Elsewhither men be likened

æ Faith over; to face, these would have

Æ Where either were rather

æ Whereso'er stumbled, yet ye were either rather there

Æ With her death

æ Elsewithso’e, anew, astarted

Æ Whenceso'er find elsewhere such existencelessness sights

æ Sort of thought, pain depth ben't closer

Æ Beside hero sides, hers, hence, enhanced lies

æ Thou’rt belied as dead, howso’er some tempted over​

Æ HERO’S BUD

æ Unkind per death, else be mourned

Æ Ere, neither thy sign
æ Shall better disrespect else in upon

Æ Nor erred the 'she be thine'

æ She be thee, smoke alerted

Æ She be the reason why dead eyes never rested hers

æ Alright

Æ She be pet overfed
æ How creature acapella blends these?​
​

Æ EMPTIER NESSES

æ Moreover and over, whereso'er and so’er ye shall’ve leant albeit on

Æ Each wielder ceded

æ These recognitions would’ve eased been imparted

Æ Each desired highnesses' self

æ Ponder over heart whether erred

Æ Whether elses, elsewise growled over bones

æ Bepet, such refinance art thou​

Æ Feigned. At last, fell. Alas, all fail

æ Henceforth, thou be soe'er mermaids
Æ As well as sylvan's donned hell

æ Shall order revenges, power nesses​

Æ HORDE’S ORDER

æ Embrace sovereignty whether clenched or declined

Æ It be wounded neck’s net

æ Overseer thou be, overseer thou remained

Æ Yet, that's tried to make me feel — recklessnesses

æ Ought death revive to endure longer such schemes​

Æ SELL FISHES

Æ My heart bled

Æ Might her blade

Æ Be shakin' off

Æ For one of these

Æ Thence, be the dire tear

The Tired Dear

Æ She be…

​

The reason why…


Dead eyes…


Never rested…

​

Hers

​​

​They, the dead-eyed people… gonna die because of her and no matter what the meaning is (she be the reason why dead eyes — never rested hers,) that's all her fault, that's it;

  1. Their eyes, which are rested as dead — aren't hers (she be the reason why dead eyes — never rested hers.) Empathy is what she shall be and she shall be the reason why…

All in all, the reason why being alive could be a restlessness suffering (she be the reason why dead eyes — never rested hers) is the lack of love.

*Hellking (Herlequin; Harlequin).
1. Modern French & Italian Commedia dell'Arte (16th Century)

  • Arlequin / Arlecchino: In the 1580s, the Italian actor Alberto Naselli (known as Zan Ganassa) introduced the character Arlecchino to French audiences. The name was francized as Harlequin (and later Arlequin).

  • The Character Shift: While he became a colorful, acrobatic, and witty servant in the Commedia dell'Arte, his name carried a much darker history rooted in medieval folklore rather than lighthearted theater.

2. Old French Folklore: Herlekin and the Wild Hunt (11th–13th Century)

  • The Old French Roots: The name enters French literature around 1100 AD as Herlechin, Hellequin, or Hennequin.

  • The Mythological Figure: In medieval French folklore, la maisnie Hellequin (Hellequin's retinue) was a nocturnal horde of demons, dammed souls, and ghostly horsemen roaming the night sky. This is the French variant of the pan-European myth known as the Wild Hunt.

  • The Visual Transition: Hellequin was depicted as a black-faced, demon-like leader of this ghostly army. When the character transitioned to the Italian stage, his demonic black mask was preserved, and his ragged, tattered clothes eventually evolved into the iconic multi-colored diamond pattern we know today.

3. Germanic Roots: Hellking and Erlkönig (Anglo-Norman & Germanic)

The connection to Hellking is both semantic (by meaning) and phonological (by sound).

  • The Phonetic Link to Hellking: Scholars generally agree that the Old French Hellequin is a borrowing from a Germanic or Anglo-Norman source.

    • It likely derives from *Helle-kin (meaning "kin of Hell" or "children of Hell"), referring to the demonic nature of the troupe.

    • Alternatively, it aligns with *Helle-könig / *Helle-king (literally, the "King of Hell"), the mythical leader who commands the dead.

  • The Erlkönig Connection: This Germanic root also split into other famous folklore entities, such as the German Erlkönig (Elf-King, famously adapted by Goethe), which itself was a mistranslation of the Danish Ellerkonge (King of the Elves), showing a constant blending between spirits of nature, elves, and the underworld across Germanic languages.

4. Linguistic Overview: The Etymological Chain

The evolution of the word can be traced linearly through time:

[Germanic Myth] *Helle-king (King of Hell) / *Helle-kin (Kin of Hell) β”‚ β–Ό [Old French] Hellequin / Herlechin (Leader of the ghostly Wild Hunt) β”‚ β–Ό [Italian Stage] Arlecchino (The masked, demonic comic servant) β”‚ β–Ό [Modern French] Arlequin (The colorful, stylized theater character)

Key Correlations and Resemblances

  • The Mask: Arlequin's traditional black half-mask is a direct remnant of his origins as a soot-faced, terrifying demon leader (Hellequin).

  • The Trickster Evolution: The transformation from a terrifying lord of the underworld (Hellking) to a mischievous theatrical servant is a common trope in folklore. Over centuries, fearsome pagan deities and demons often degrade into comedic, buffoonish figures in popular culture once the religious fear associated with them fades.

π”Šπ”¬π”¬π”€π”©π”’π”„ℑ

π”Šπ”’π”ͺ𝔦𝔫𝔦

🩰 Errr… 🫧 Bleached socks? βš”οΈ All red: That creepin' ass atop. 🀺 Crap; dirt — shame upon us. 🧻 Bad brat's spittin' all 'em jizz up for ya, bwah. πŸ‘› Whatce's the best? πŸ’Έ We may be that serial, perhaps.

🀑 Now, that's a regal prowler. 🐈‍⬛ There, we da bat, flit each Summer. πŸ¦‡ Who did dare crave 'em outta sucka ❓ Huh? 🩸 Owh — my self blood-stem: 🧬 That's a real, raw buster. πŸͺŸ Eatin' shunned £Ô€¥$! 🍱 Damn?

πŸ₯·πŸ½ Strength, Gs… πŸ‘ŠπŸ½ Y'all shall starve at us pets. πŸ– We care not whose 'em speeches are; we sure be thus Pretty-Stars.

🎻 Yo, yell, yard. πŸ‘‚πŸ½ Them thus black bitch, roast. πŸ₯‹ Mean: Black Spellcraft, that's all. 🀘🏼 What's all yar sudden slump like, pussies? πŸ’― Such ‘a southern wooden black spike’ studies. πŸš“ We da crew, FAMe.

πŸ’ͺ🏽 Thou bust 'em all, flex so. πŸ•ΆοΈ We slice; ain't dice: Presto. πŸ”ͺ That's it, stumper! 🀾🏼 We fed up, dem own mares on all sparkling US tracks. 🩹 Shalt then stack up raffy jacks. 🎲 Stuff on us wreckage, boo. πŸš‘ Hey, what's they? πŸ₯ Eh… though, roughly, such a dumb, strutter. 🚁 Hence, gonna strum the strap, son.

æ That's not the way thou art 🦁 bear

πŸͺ‚ So, bleach's not trendy; don't mess up with (wid) me. 🚒 They're stern with ‘A’ lump. πŸ’ƒπŸΌ Ain't trynna rap, Trump. πŸ‡ΊπŸ‡Έ Wasp, as beo-stuff. 🐾 Ain't yakkin' 'bout shit. 🫡🏼 That greedy: Both dicks. πŸ‘πŸΏ Sis' are that stuff ya ain't fetchin' back, backpack. πŸ”« That's our assplug. πŸ•³οΈ What the hell 🏌️ is that?

βœπŸΌπŸ•·οΈπŸŒžβ€‹β€‹β€‹

​​​​Yes, America is grand! Although, there's always a greater value to remain poor… and to belittle each other. Where's the point in that, all? Speakin' that same language so as to spread cramming shit A2L around.

That's A2L around my hometown, I was drivin' north, straight up to Mississippi and Lousiana, rigger! Way down from Chicago and their heavy bulls, worker. The very same gap between the south and them north, isn't it? That's why we're fencin' up states out of Chicago and the Wisconsin, all in all. A new arrival, peep…

All the way up, they speak aloud, yet think abroad. Out of the blue, they're that semi-colon in your sentence. Can't you feel the weather today? We're at the narrow end of summer; them springtimes, though. After all, you're turnin' up, plus there's twenty years, therein.

That's a way too far (…)

The scoundrel…

(…) Enough.

Meantime, I thought it was a squirrel (…)

Anyway(s)…

(…) Springtimes and all that stuff.

We'd rather watch A2L die, a couple of seconds πŸŽͺ on TV.

(…) Hilarious!

He'll be that famous, all alone.

(…) And, I'm pretty confident to myself: They never reach the target (…)

Yes, he got that up.

(…) THE WAY WE ROLL!!

-_-'

(>*-*)>

(I)

o=3 (…) Tell me: “We'll be the greatest shit” (…) And then you tell me (…) “I'll tear them away.”

Hell, yeah!

Or something like that (…)

That's never heard!

(…) Let's give it a grab the fourth of February, anyway (…)

You'll get a suitcase, a shoe-shine and a sue.

​Stubborn and pretentious (…)

πŸ¦… STFU?

He's right.

(…) A war: That never plays out as they're actin' scenes and there's nothing to do with speeches and sketches (…)

That's not the way we planned to speak to each other and embrace us.

Therefore, you've done me wrong. And there's a lot of people (…)

Come on…

Mess that shit up (…) That's fire-blastin' shit.

Hell, yeah! We get that shit-blastin' fire-hell.

​Thence, you got πŸ’£ Billie (…)​

Good bye.​

(…) Rear, raw, sexual energy (…)

See you πŸ—½ later.

(…)

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